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・ Margherita Aldobrandini
・ Margherita Arlina Hamm
・ Margherita Bagni
・ Margherita Bevignani
・ Margherita Boniver
・ Margherita Bontade
・ Margherita Bottero
・ Margherita Buy
・ Margherita Caffi
・ Margherita Cagol
・ Margherita Carosio
・ Margherita Cogo
・ Margherita Colonna
・ Margherita Costa
・ Margherita d'Anjou
Margherita Dalmet
・ Margherita de L'Epine
・ Margherita de' Medici
・ Margherita di Savoia
・ Margherita di Savoia, Apulia
・ Margherita Durastanti
・ Margherita Farnese
・ Margherita Fumero
・ Margherita Galeotti
・ Margherita Gargano
・ Margherita Gonzaga
・ Margherita Gonzaga, Duchess of Ferrara
・ Margherita Gonzaga, Duchess of Lorraine
・ Margherita Granbassi
・ Margherita Grandi


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Margherita Dalmet : ウィキペディア英語版
Margherita Dalmet

Giovanna ''Margherita'' Dalmet, also called Delmaz and Dalmaz (1739 – 11 January 1817), was a Dogaressa of Venice by marriage to the Doge Paolo Renier (r. 1779–1789).
Margherita was before her marriage a tight rope dancer in Constantinople, were Paolo Renier met her and they married in 1751, after the death of his first spouse. According to other versions he met her at a Catholic orphanage there.
Secretary of State Giuseppe Gradenigo described the role of the new doges marriage in his election: " At noon on Friday his Serene Excellency Paolo Renier's election was declared. The newly made prince must have spent much money. He has purchased the balle for more than fifteen zecchini each, and of these there are about three hundred. He started with the idea that it would be an easy matter, but whilst engaged in it he heard himself called a traitor to his country, deceitful, and married to a plebeian woman of bad character, formerly a rope-dancer – words which seemed to resound on all sides, and undoubtedly excited the people against him ... He was obliged to make a virtue of necessity, and to draw out a large number of those 90,000 zecchini that he is supposed to have made at Constantinople, in order to stop people's
mouths. And in the end the public was fully satisfied. During three days' feasting in the Palace, money, bread, and wine were profusely distributed, and produced loud hurrahs and acclamations."
Because of her past, she was not accepted by the Venetian aristocracy, who referred to her as ''La Falsa Dogaressa'': the candidacy of Andrea Tron to the office of Doge had been damaged by the scandals of his noble wife Caterina Tron, and Delmaz would have been even less accepted in the role of dogaressa, as she could not be inscribed in the Golden Book. Nevertheless, she was acknowledged as such. However she refrained nonetheless from playing that role in official ceremonies, and the representational duties of the dogaressa was performed by the niece of her spouse, Giustina Renier Michiel. In June 1786, she visited the waters of Eecoaro in Valdagno as dogaressa under the treatment of Doctor Girolamo Festari.

As dogaressa, she let out the pavement of the della Paglia bridge, for artists' shops, and obtained 1,000 zecchini for letting the
Priorato della Ga^ di Bio. Margherita was said to damage the reputation and popularity of the doge. Margherita is known for a story about her dislike of the sound of church bells: her consort allegedly paid the abbey near the doge palace not to ring the bells, and whenever he was late with the payment, the convent rang the bells. Margherita was involved in a case of counterfeit as the accused. In 3 October 1786, during his stay in Venice, Goethe witnessed the public trial against her in the Ducal Palace. The case was about a deed of trust, and the lawsuit was against the Doge, but in reality against the dogaressa, who was in fact present on the bench of the accused, dressed in the robes of the dogaressa. Goethe describes her as "woman of a certain age, of a noble appearance; she had a handsome face, but a severe expression, and a certain air of melancholy!"
== References ==

* ( Staley, Edgcumbe: The dogaressas of Venice : The wives of the doges. London : T. W. Laurie )
* (Louisa Lauw: The Dogaressa )
* (Biografico degli Italiani - Volume 32 (1986) )
* (Was man so alles nicht von Venedig weiß: alte Geschichten - neue Mythen by Lothar W. Pawliczak )



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